Accompanying the experience is the very measured dialogue between artwork and space created by exhibition curators Andrea Lissoni and Chiara Bertola. The title NON NON NON refers to the text/manifesto in one of Ricci Lucchi's watercolors, in which, avoiding simplistic categorizations of their work, the artists emphasize their primal urge to reflect on the contemporary condition. It may seem like a contradiction, but it is precisely this perspective that drives Gianikian and Ricci Lucchi to collect, comprehend, catalog, re-photograph and manipulate hundreds of films left over from the first half of the 20th century. The films come from different European countries and are partly amateur — shot by European colonialists in Africa or the Far East, or by soldiers at the front during WWI — and partly professional, shot by the likes of Luca Comerio (1878-1940), the Italian documentary film pioneer. The "analytic camera," a device invented by the artists, can re-project, re-photograph and re-edit the delicate original frames transforming them into the matrices for their films. Analyzed individually, the single frames make up films that deploy experimental cinematic techniques: zooming in on specific parts of the frame, tinting the film, change the film's speed, etc. The present can begin to be understood through the analysis of this historical material.
NON NON NON is a powerful show that definitively places the work of Angela Ricci Lucchi and Yervant Gianikian among the cornerstones of contemporary art.
Hangar Bicocca
Via Eugenio Chiesa, 2, Milan
Through 10 June 2012