Ethan Hayes-Chute

Hayes-Chute’s work, on show at MIT List, reflect a “DIY” approach to architecture and technology, and investigate processes of labor, production, and redistribution.

The value of solidity

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Ethan Hayes-Chute’s installations, sculptures, drawings, text pieces, and performances explore ideas of self-sufficiency and self-preservation as alternative models for living. He constructs small, near-functional cabins and partial interiors out of entirely salvaged materials; the structures variously make reference to landscapes on the margin, life off the grid, ecology and waste. Many of Hayes-Chute’s recent works reflect a “DIY” vernacular approach to architecture and technology, and investigate processes of labor, production, and redistribution.

The exhibition at the List presents a new architectural installation developed for Bakalar Gallery that includes the display of a number of repurposed 1980s Epson HX-20 Notebook computers, a series of smaller assemblages using found and retrofitted objects, as well as selected video works from his recent collaborative project Conglomerate.tv, an artist-run television network originating from Berlin.

Left:Ethan Hayes-Chute, Programming Station (Lectern), 2012, wood, Epson HX-20 notebook computer, custom software, programming manuals, paper rolls, various materials 41 x 16 x 11 in. Courtesy the artist. Right: Ethan Hayes-Chute, Contemporary Spice Rack, 2012, jars, bottles, various containers, mixed contents, push pins, Epson HX-20 printouts 23 x 15 x 3 in. — **Left:** Ethan Hayes-Chute, *Programming Station* (Lectern), 2012, wood, Epson HX-20 notebook computer, custom software, programming manuals, paper rolls, various materials 41 x 16 x 11 in. Courtesy the artist. **Right:** Ethan Hayes-Chute, *Contemporary Spice Rack*, 2012, jars, bottles, various containers, mixed contents, push pins, Epson HX-20 printouts 23 x 15 x 3 in. Courtesy the artist

The New Domestic Woodshop (2016), Hayes-Chute’s first contribution to the channel billed as bringing “your domestic fantasies to life,” riffs on DIY-culture and amateur tutorials posted on YouTube. As the artist demonstrates how to construct a pizza oven from two hot plates, he also presents a deadpan reflection on his own working process in the studio.

Ethan Hayes Chute, Bottles and Jars from Contemporary Spice Rack, 2012, jars, bottles, various containers, mixed contents, Epson HX-20 printouts, dimensions variable. Courtesy the artist — Ethan Hayes Chute, Bottles and Jars from *Contemporary Spice Rack*, 2012, jars, bottles, various containers, mixed contents, Epson HX-20 printouts, dimensions variable. Courtesy the artist

Hayes-Chute first began utilizing repurposed HX-20 computers in his 2012 exhibition Portable Practicality, Practical Portablility. The artist has reprogrammed the near-obsolete machines – considered to be one of the first laptop computers to become widely available in the US in the early 1980s – and uses them, for other practical applications, as a labeling and output device for an absurdist line of salves, balms, ointments, tinctures, and sauces. The rudimentary text labeling lends a retro-futuristic undertone to the artist’s “products.” In the exhibition, visitors will be able to engage interactively with at least one of the antiquated computers.

Ethan Hayes-Chute, Epson HX-20 printouts, test prints and sketches, Dimensions variable. Courtesy the artist

until 16 October 2016
List Projects: Ethan Hayes-Chute
curated by Henriette Huldisch
MIT List Visual Arts Center
Bakalar Gallery
Cambridge, Massachusets

Technology meets aesthetics, with Cordivari

With their rhythmically textured external surfaces, the Run and Seven Lines fan coils become natural elements in the landscape of contemporary interiors.

Sponsored content

Ethan Hayes-Chute

Hayes-Chute’s work, on show at MIT List, reflect a “DIY” approach to architecture and technology, and investigate processes of labor, production, and redistribution.

The value of solidity

Technology meets aesthetics, with Cordivari

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