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Can such a thing as "Belgian design" exist, in a country where the lack of a sharply defined common identity is arguably an identity in itself? The growing influence of a series of events, institutions and design studios suggests that Belgium is enjoying a fruitful phase of creative vitality.
The February issue of Domus captures Gaza through the lens of Antonio Ottomanelli, and features a special report on Belgian contemporary architecture and design, with new projects by 51N4E, de vylder vinck taillieu, Nikolas Firket, and Dierendonckblancke.