GOOD WEATHER presents many of the original crafted objects composed from combining an array of materials such as paper, textile, and stones to mundane everyday items from fruits and rubber bands to car tires. Meticulously created with analog handicraft instead of using a computer, Sarah Illenberger's richly-detailed work opens up new perspectives on seemingly familiar, iconographically-charged forms and content.

Sarah Illenberger's visual language is extremely effective at translating content, data, and ideas into vivid, often humorous images. Whether big or small, abstract or complex, the subjects and problems of our times are pointedly depicted by this renowned illustrator and designer in concise visual forms. The conceptual strength, descriptive intensity, and spatial finesse of her style make her work particularly attractive for international magazines that are looking for a catchy and entertaining way to illustrate their articles. She expertly avoids imbuing her materials and subjects with artificial significance or forcing a meaning upon them. Instead, Illenberger's penetrating creative eye reveals their true essence—one that has usually remained hidden just under the surface from our fleeting and routine everyday glances.