“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

“Viktor Papanek: The Politics of Design”, vistra della mostra, Vitra Design Museum, Weil am Rhein, Germania, 2018. Foto Norbert Miguletz

Key visual per la mostra “Viktor Papanek: The Politics of Design” di Daniel Streat, Visual Fields. © Vitra Design Museum, 2018

Victor J. Papanek “The Minimal Design Team”, tratto da Big Character Poster No. 1: Work Chart for Designers, 1973, elaborato nel 1969. © University of Applied Arts Vienna,
Victor J. Papanek Foundation

Victor J. Papanek, “We Are All Handicapped”, tratto da Big Character Poster No. 1: Work Chart for Designers, 1973, elaborato nel 1969. © University of Applied Arts Vienna,
Victor J. Papanek Foundation

Victor J. Papanek a Buffalo, NY, Aprile 1959. © Donazione di Nicolette Papanek, courtesy Victor J. Papanek Foundation

Victor J. Papanek “Gallery of Living Arts, Corona Del Mar, CA, Entrance Lobby”, progetto per spazio espositivo, 1949 – 1952. © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek, “Samisen” nella serie sedie da pranzo, 1952 – 1956. © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek filma per WNED-TV Channel 17 il programma “Design Dimensions” in Buffalo, NY, 1961 – 1963. © WNED-TV, courtesy Victor J. Papanek Foundation

Victor J. Papanek “Tetrakaidecahedral”, 1973-1975 (struttura per parco giochi spostabile disegnata con studenti, genitori, insegnanti e bambini). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Jorma Vennola “Fingermajig”, 1965-1970, (giochi per bambini di plastica tattile, disegnato sotto la guida di Victor J. Papanek). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek, copertina per “Design for the Real World. Human Ecology and Social Change”, NY: Pantheon, 1971. © Pantheon Random House, courtesy Victor J. Papanek Foundation

Victor J. Papanek, copertina per “Design for Human Scale”, NY: Van Nostrand Reinhold Company Inc., 1983. © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek, “Samisen” nella serie sedie da pranzo, 1960 – 1970. © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek e James Hennessey “Work Cube”, dettaglio da Nomadic Furniture 1, 1973. © James Hennessy e
University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek e James Hennessy “Lean-To Chair”, illustrazione dal manoscritto Nomadic Furniture 2, 1974. © James Hennessy e University of Applied Arts Vienna, Victor J. Papanek Foundation

James Herold e John Truan “Artificial Burrs”, 1968, disegnato sotto la direzione di Victor J. Papanek. © University of Applied Arts Vienna, Victor J. Papanek Foundation

Richard Buckminster Fuller “Tensegrity Sphere”, a Expo 67, Montreal, Canada, 1967. © The Estate of R. Buckminster Fuller; courtesy Science Photo Library. Foto Hans Namuth

Karl Montan, International Symbol of Access, 1969 (disegnato da Susanne Koefoed, allieva di Victor J. Papanek, 1968)

Frank Gehry “Sleigh Chairs” dalla serie Easy Edges, 1972
© Vitra Design Museum. Foto Jurgen Hans

UN Women “The Autocomplete Truth: Need”, campagna pubblicitaria disegnata da Mermac Ogilvy & Mather Dubai, 2013
© Foto Mermac Ogilvy & Mather Dubai

UN Women “The Autocomplete Truth: Need”, campagna pubblicitaria disegnata da Mermac Ogilvy & Mather Dubai, 2013
© Foto Mermac Ogilvy & Mather Dubai

Jim Chuchu, “All Oppression Is Connected”, 2013. © Jim Chuchu

Daisy Alexandra Ginsberg, “Mobile Bioremediation Unit”, Designing for the Sixth Extinction, 2013. © Alexandra Daisy Ginsberg

Flui Coletivo e Questtonó in collaborazione con IED São Paulo “Bomba Hacker”, 2014 (do-it-yourself water pump). © Flui Coletivo, foto: Stefano Leggieri

Copertina per il catalogo della mostra “Victor Papanek: The Politics of Design”, 2018. © Vitra Design Museum, Design: Daniel Streat, Visual Fields