The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate. 

The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate. 

The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate. 

The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate. 

The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate. 

The photos are taken from one of the chapters in the “Snow-Land” project, with which the photographer Marco Zorzanello portrays tourism in times of climate change. His work is focused on the 1,200 kilometres of artificial snow at one of the world’s largest ski resorts, in the Dolomites: from the particular to the universal, a perceptive and ironic reflection on our fate.