Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.

Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.

Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.

Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.

Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.

Josh Blaaberg catapults us into the unreality of the Atalo-disco, that phenomenon of illusion, evasion and evanescence that actually happened, but escapes any possible rationalization. It is an Italian story that summarizes the need to escape from the terrorist destruction of the seventies to aspire to the staging of a future in which to get lost to forget. Blaaberg's narrative ranges from documentary to science fiction.