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Installation view Barragán Gallery architectural model El Ziggurat, 1985

© Vitra Design Museum, photo: Mark Niedermann © VG Bild-Kunst, Bonn 2022 

Installation view Barragán Gallery

© Vitra Design Museum, photo: Mark Niedermann © VG Bild-Kunst, Bonn 2022

Luis Barragán, 1963. Photograph by Ursula Bernath

 Courtesy Barragan Foundation, Photo: Ursula Bernath 

Installation view Barragán Gallery, horse sculpture based on a design by Luis Barragán

© Vitra Design Museum, photo: Mark Niedermann © VG Bild-Kunst, Bonn 2022 

Luis Barragán, undated perspective drawing of the Apartment Building for Lorenzo Garza (Mexico City, 1939–1940) from the holdings of the Barragán Archive (later photocopy of a whiteprint)

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Jardines del Pedregal, Mexico City (Luis Barragán, 1945–1952). Photograph by Armando Salas Portugal of the Plaza de las Fuentes, c. 1951

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Interior view of Luis Barragán’s studio at 12 Calle Francisco Ramírez (Mexico City, 1948), photograph taken by Armando Salas Portugal in the early 1950s

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Design proposal by Luis Barragán for the Parque Azteca in Mexico City, 1954 (unbuilt)

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Luis Barragán, Las Arboledas, Atizapán de Zaragoza (Greater Mexico City), 1957–1962. Rendering of expressway exit ramp

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Holdings in the Barragán Archive, detail view

© Barragan Foundation, Photo: Lake Verea

Undated plan drawings prepared for publication of the Barragán residence at 14 Calle Francisco Ramírez (Mexico City, 1948)

© Barragan Foundation / VG BildKunst, Bonn 2022 

Rooftop terrace of Luis Barragán’s residence at 14 Calle Francisco Ramírez (Mexico City, 1948), photograph taken by Armando Salas Portugal in the 1960s

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Luis Barragán and Mathias Goeritz, Torres de Satélite, Naucalpan de Juárez (Greater Mexico City), 1957. The photograph of the towers, painted in a palette of oranges and reds, was taken by Armando Salas Portugal in the late 1960s.

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Luis Barragán and Andrés Casillas, Cuadra San Cristóbal, Los Clubes, Atizapán de Zaragoza (Greater Mexico City), 1966–1968. Photograph by Armando Salas Portugal of the courtyard fountain.

© Barragan Foundation / VG Bild-Kunst, Bonn 2022 

Barragán+Ferrera (Luis Barragán and Raúl Ferrera), Valdés House, Monterrey, 1981–1986

© Barragan Foundation /  VG Bild-Kunst, Bonn 2022 

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