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A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2018. Photo Ute Zscharnt

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, Lahr, Baden-Württemberg, Germany, 2017. Photo Thomas Bruns

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, site plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, groundfloor plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, second floor plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, second floor plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, first floor plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, fourth floor plan

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, west elevation

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, north elevation

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, south elevation

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, section

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

A grafting reddish-concrete stair transforms factory into a museum

Heneghan Peng Architects, Museum Tonofenfabrik, section

Giving recognisability to the Tonofenfabrik Museum is the sharp new volume, cladded in pigmented concrete with a rugged finish; its terracotta tone recalls both the existing building and the remains of the adjacent Storchenturm, a medieval castle

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