From historic architecture to post-industrial conversions, from house museums to vast exhibition spaces: here are the galleries and museums of Milan you should have seen at least once in your lifetime.
From her encounter with Kapoor’s sculptures to the creation of one of Italy’s most influential contemporary art foundations: the trajectory of a personal decision that evolved into a cultural infrastructure spanning Turin, Madrid, and Venice — and the forthcoming Alba 2027 project.
A small panel marking the beginning of the most radical investigation into the face of suffering in the Renaissance: Antonello da Messina’s Ecce Homo, long held in private collections, has now been acquired by the Italian state for $14.9 million.
For one of the most influential artists of the 20th century, it all started with a photograph of a modernist table seen in the pages of Domus magazine.
At Pace Gallery, artworks and objects turn the exhibition space into a domestic interior: the place where his world truly took shape.
We don’t inhabit environments, we are the environment
We interviewed the Chief Curator of the 13th Shanghai Biennale, entitled “Bodies of Water” who describes Biennale’s as reality-sensing-devices.
The artist, a master of black and white long accused of obscenity and perversion, also known for his relationship with Patti Smith, is now on view in Milan until May 17.
At the Nederlands Fotomuseum, archives, conservation labs and even a public darkroom turn visitors from spectators into participants.
A selection of exhibitions dedicated to winter sports and their imagery, from the Olympics of the past to the languages of the present, running alongside the Milan Cortina 2026 Winter Olympic Games with a narrative that spans several cities, from Milan to Trento, passing through Cortina and Venice.
The event is among the longest-running and most significant for contemporary art professionals and enthusiasts. From February 6 to 8, Arte Fiera returns with a new artistic direction.
Thinking of the screen as skin means rethinking the relationship between body and technology. In Emanuela Moretti’s exhibition, the digital becomes haptic and sculptural matter — a sensitive surface that promises contact while revealing its political ambiguity.
From the Venice Biennale to the Max Mara Art Prize for Women, the Italian curator outlines a practice built on listening, care, and a deep engagement with artists and places.
Four hundred and thirty-one years after Romeo and Juliet’s London debut, the myth of the two lovers of Verona continues to challenge art. Starting from the emotional urgency imposed by Shakespeare, and passing through the canvases of Hayez, Brown, and Dicksee, the story of their tragedy moved beyond the stage to take on form, color, and feeling.
