From collaborations with science labs to foundation programs like LAS, more and more artists are turning to quantum physics—not to illustrate it, but to question a world shaped by predictive models and artificial intelligence.
In Valencia, a new exhibition dedicated to Anselm Kiefer centers on Danaë—a more than 13-meter-long painting never before shown in Europe—set within one of the most historically charged buildings of the 20th century.
At MAXXI L’Aquila, “Aftershock” brings the Sichuan and Abruzzo earthquakes into dialogue: around seventy works exploring how fractures—political, human, and material—continue to reverberate over time.
On the eve of Milan Design Week, the city reactivates an ancient gesture: opening what is hidden and transforming objects and spaces into a collective ritual, where design becomes an opportunity to see - and recognize - together.
It’s not artificial intelligence that’s the problem, but the logic already shaping music, fashion, and images: from Spotify to Margiela, today’s most compelling artists are those who derail the algorithm—even when they use it.
We don’t inhabit environments, we are the environment
We interviewed the Chief Curator of the 13th Shanghai Biennale, entitled “Bodies of Water” who describes Biennale’s as reality-sensing-devices.
Entering the studio on Via Fondazza in Bologna, Joel Meyerowitz photographs each bottle, vase, and jar used by the painter in his iconic still lifes. The project becomes Morandi’s Objects, a book set for release in 2026.
Cao Fei’s exhibition Dash at Fondazione Prada explores the transformation of agriculture through drones, algorithms, and automated farming, where human labor is gradually replaced by systems, data, and new technological rituals.
From miart’s new venue to the evolution of its role, and seven key exhibitions across the city: what to see during Milan Art Week 2026, in the words of artistic director Nicola Ricciardi.
For years, the brand has been building a global network of exhibition spaces that keep photography anchored to physical reality. In doing so, it also defines who, how, and where photography can still exist.
From the lost polychromy of Greek sculptures to experiences developed with Snap and playful applications, augmented reality—after years of anticipation—is now transforming the way museums interpret and narrate their collections.
In the history of art, the egg is never just a symbol. It is an operational device—one that creates perspective, matter, and vision, from Piero della Francesca to Warhol’s pop seriality.
From the theft at Italy’s Fondazione Magnani-Rocca to major heists in Paris, Dresden and Amsterdam, ten cases from the new millennium show why art is never truly safe.
