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Plateau: Double

The first comprehensive exhibition of Felix Gonzalez-Torres's work in Asia examines the broad spectrum of his work, in a dual presentation at Plateau, its sister museum Leeum, and multiple locations throughout the city of Seoul.

The Plateau — Samsung Museum of Arts in South Korea is currently hosting a solo exhibition of Cuban-American artist Felix Gonzalez-Torres, curated by Soyeon Ahn. Entitled Double, the show examines the broad spectrum of Gonzalez-Torres's work with emphasis on the malleable nature of his works, demonstrating how their meaning and form can shift as the architectural, social, and curatorial landscapes change. As suggested in the title, Double proposes a dual presentation at both Plateau and its sister museum Leeum, as well as multiple locations throughout the city of Seoul. Utilizing editions and simultaneous manifestations of identical pieces, the presentation hopes to reflect the continuing vitality of his art, which still inspires contemporary artists today.

Felix Gonzalez-Torres, who died at the early age of 38 in 1996, is considered one of the most influential artists of his generation. His legacy still remains strongly present in the current art historical discourse. The artist did not allow his racial and sexual minority status to marginalize his position in the art world, instead developing his own unique body of work by appropriating the existing visual language of minimalism. At the same time, he actively engaged the viewer in his works, subverting conventional art practices through endless transformation and destruction of form.

Top: Felix Gonzalez-Torres, <em>Placebo</em>. Above: Felix Gonzalez-Torres, <em>Untitled</em> at the Korea Post Office — Top: Felix Gonzalez-Torres, *Placebo*. Above: Felix Gonzalez-Torres, *Untitled* at the Korea Post Office

Using everyday objects such as mirrors, clocks, puzzles, candies and paper stacks, Gonzalez-Torres's oeuvre more profoundly examined the "public" function of art, while presenting strictly private contemplations on love and the fragility of life. From the socially critical works of the 1980s to the more contemplative and poetic works of the 1990s, his oeuvre achieved its distinct perspective through the juxtaposition of the private and public, as well as the poetic and political.

Felix Gonzalez-Torres, <em>For Stockholm</em> — Felix Gonzalez-Torres, *For Stockholm*

Challenging tradition, monumentality and even his own authority as artist, Gonzalez-Torres emphasized the mutability of meaning and form in order to keep his work alive and connected with the viewers across cultures and generations. His works will also have a powerful resonance with Korean viewers today who have undergone dramatic political, economic and cultural changes over the recent decades. As the first comprehensive exhibition of Gonzalez-Torres's work in Asia, this exhibition will provide a significant opportunity to introduce the remarkable achievements of his short but prolific career to the Korean and international audiences in the region.

Through 28 September 2012
Felix Gonzalez-Torres: Double
Plateau
Seoul, South Korea

Felix Gonzalez-Torres, <em>Perfect Lovers</em> at the Plateau Artshop — Felix Gonzalez-Torres, *Perfect Lovers* at the Plateau Artshop

Felix Gonzalez-Torres, <em>North</em> — Felix Gonzalez-Torres, *North*

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Plateau: Double

The first comprehensive exhibition of Felix Gonzalez-Torres's work in Asia examines the broad spectrum of his work, in a dual presentation at Plateau, its sister museum Leeum, and multiple locations throughout the city of Seoul.

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