On a long walkway made of beautiful Persian carpets, a huge boulder fallen from the sky, or a fierce sandstorm, or a plane that has just taken flight, appear regularly to obstruct the passage, making any escape route difficult.

The carpet returns as a central element also in the surreal setting of Water and Persian Rugs, of 2004, becoming instead an imaginary bridge between past and present, a magnetic slippery surface that you are forced to cross if you really want to be a protagonist of your own time, without having too much fear of the unexpected. Next is the evocative series Knot of 2011 and the work Girl and the Mirror of 2010, both realised between the walls and the characteristic clay domes of the beautiful ancient city of Yazd, in central Iran. Finally, the exhibition closes with Sepehr's latest photographic project, Color As Gray (2014-2016), which with elegant fragility questions the dramatic reality of the war, now an everyday element in many Middle Eastern countries. A sad testament to how the wounds of these conflicts never really heal. Sepher’s work, curated by Silvia Cirielli, is on show until 9 July at Officine dell’Immagine in Milan.