After twenty years of work, some of the reflections born from Leftloft’s history and its think tank LUFT are merged into the film “Design is a Verb”: a research that engages with the thought of international designers who constitute a reference for the studio.
Within the historical centre of Turin, Italian architect Fabio Fantolino designed Barca’s, a bar and restaurant filled with typical West Coast textures and textiles.
From their Bethlehem office, architects Elias and Yousef Anastas rethink local design, leaving nostalgia behind and focusing strongly on interaction with the manufacturing community.
Thomas Bayrle’ monographic exhibition at the MAK in Wien develops a narrative around the interaction between communication design, the individual and society.
As birds who have temporarily taken residence in the New Museum, New York, Petrit Halilaj recreated a total of 505 found and recorded Neolithic archeological objects found in Runik before the Kosovo War.
Like a soft, enveloping flower, Duna’s shape is evocative and contemporary. Born fifteen years ago, its iconic silhouette still sets it apart as a design classic, ripe for reinvention again and again. New plastic shell fabrication available in a new range of colors in polypropylene allows for a thinner, sleeker profile, a more delicate curvature and more sumptuous surface.
Slim is a line of rational design that conveys great lightness. Tables, coffee tables, consoles and benches that meet all tastes and requirements. Thanks to the different available combinations the collection fits in all situations: home, contract spaces and also outdoor.
Maxima 2.2 is the creative design system that distinguishes Cesar for its uniqueness and cross-functionality. The over 90 finishes combined with various opening methods make Maxima 2.2 an architectural project that meets modularity, technological and flexibility requirements while preserving its linearity and attention to materials in every layout.
Italian studio casatibuonsante architect has renovated an apartment in Milan, featuring an unique and complex fixed furnishing element that defines new hierarchies and different levels of intimacy.
The residential building by Adhoc Architectes is characterised by the contrast between the sober brick facade and the blazing triangular metallic skin of the inner courtyard.
“Westopia” by Parasite 2.0 feeds on the impossibility to determine an imaginary, signalling how the attraction of various concepts produced by the Western world have in fact generated a sequence of tragedies.
Aiming to impose an order on the objects and fashions of the last 100 years, the exhibition curated by Paola Antonelli at MoMA in New York brings together 111 fundamental items, divided up scientifically by stereotype, archetype and prototype. As Veronica Santi writes, it just needs updating.
From 28 September to 15 October 2017 Faenza will be hosting the XII edition of the “National Arts Prize 2017 – Design section”, entitled Future is Design, organised by ISIA of Faenza and promoted by MIUR.
The Mountain Design Hotel EdenSelva, designed by Paolo de Martin and Sarah Gasparotto on the Alps, has obtained the CasaClima Class A certification also thanks to Viessmann’s system.
Juxtlahuaca y Cananea by Estudio Juskani Alonso is a writing desk system that enhances the visual, tactile, olfactory and lighting stimuli during our most prolific moments.
The Design Museum in London announces the shortlist for the tenth anniversary of its annual exhibition and awards celebrating the world’s best design.
The single family house designed by architect Mário Martins in Praia da Luz, on the southern shores of Portugal, frames the sky and courtyard in an elliptical gesture.
Studio Akkerhuis designed a mobile bamboo theatre somewhere between a small amphitheater and a bedouin tent, a compact space reminiscent of a nineteenth century travelling circus.