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Long before buildings become physical entities, they enter the world as images — yet the messages implicit in these visualisations are rarely interrogated or decoded. James Bridle ventures into that realm of unachievable hyperreality that is architectural rendering.
In anticipation of the 13th International Architecture Exhibition Common Ground, we revisit a text by Charles Jencks on The Presence of the Past, the first Venice Architecture Biennale, directed by Paolo Portoghesi.