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Using a recent exhibition that restates Martin Beck's particular approach to exhibition practice and art production as a starting point, the New York-based artist discusses his art practice, ways of dealing with history, and of looking at things.
An exhibition dusts for evidence of Fuller in the world as we see it today, and points to credible signs that his fingerprints are all over the dynamic concepts and multi-functional aesthetics that drive modern architecture and design.
Attacking the dogmas of contemporary consumer culture, Critical Design undermines the default notion of design as an affirmative, commercially-oriented practice that shies away from thorny ethical issues.