Taking advantage of the changes of level in the landscape and the visual connections with many highlights of the property, the installation conjoins Philip Johnson and Robert Indiana’s visionary approach to industrial materials, proportion, form and the understanding of space. The positioning of the sculptures allows them to be seen directly from the Glass House, while establishing sightlines from the artworks to other significant pavilions and structures, including the Studio, Ghost House and Da Monsta. The installation of One through Zero is in keeping with Johnson’s approach to placing pavilions and structures within the landscape.