As Scotini writes: “Recognition begins with a radical criticism of our view of Africa. Are we sure that what the white hunter saw, at the beginning of the previous century, is not still the same subject of our gaze? What should be heard throughout the entire exhibition is how this view (that of the hunter) has been fundamental in the construction of a subjugated Otherness. At the same time, we need to investigate the possibilities that cannot be assimilated that have been excluded”.