In this collection, the surface is the protagonist; the incision is the first decorative sign, colour is the second, thus creating a double language on the same surface, which is nearly a three-dimensional process.

Bethan Laura Wood creates an expressive pattern rhythm of graphic shapes and flowing lines derived from the stained glass window of the New Basilica of Our Lady of Guadeloupe (Mexico City). This pattern wraps itself around a variation of forms inspired by Bitossi Ceramiche’s 1950s to 1970s archive.