Nya Nordiska, Core Classics. There is hardly any design which embodies so perfectly the roots of Nya Nordiska in the Scandinavian design language as the classical bicoloured stripe designs Jota 2.0, Kappa 2.0 and Alpha 2.0. Even wider block stripes give the fabrics in their new edition a refreshing modernity. The new colour range provides in a series of 18 colours unimagined cmbination options. Made of pure cotton, the washable and durable natural fibres can be used especially for upholstery, decoration and cushions – in a vivid interplay of colours, they can be combined with the check designs Jota-Check 2.0, Kappa- Check 2.0, Alpha-Check 2.0, the tri-colour stripes Delta, four-colour stripes Mega as well as plain fabric Zeta 2.0

Nya Nordiska, Core Classics

Nya Nordiska, Core Classics

Nya Nordiska, Core Classics

Nya Nordiska, Core Classics

Nya Nordiska, Core Classics. Tiziano 2.0 stands for opulence and glamour. The chatoyant taffeta basic fabric, a new edition from 2003, was refined with a longcrash. The new colour range focuses on sensual, powdery pastel shades in 11 nuances.

Nya Nordiska, Core Classics

Nya Nordiska, Core Classics. Left: airy and fresh, the dots in different sizes on the Polka fabric draw both motif and transparency. The vivid positive and negative design in neutral offwhite makes the burn-out fabric in cotton quality extremely flexible, also in combination with plain decoration fabrics. Right: narrow rods are floating on Cestino, the softly flowing burn-out fabric made of cotton and polyester. The graphical design from 2010 has now been realized by Nya Nordiska in 300 cm width, so that the subtle Venetian blind effect of the semi-transparent decoration fabric can be applied even more flexibly

Nya Nordiska, Core Classics. Right: Buskage, a new edition from the 1970ies, stages the iconic purist print design by Nya Nordiska. The softly flowing cotton underlines elegantly the subtle layout of the lines and makes it hard to perceive how easy-care the fabric with polyester content is. Reduced grass design lined up like on a pearl necklace gives the special burn-out fabric its name, whichis derived from the Swedish language. The positive and negative variants in neutral offwhite, which are for the first time available in a large-scale print width of 300 cm, guarantee versatile application options.