The three concurrent exhibitions by Zimoun are individually titled in a way that methodically reflects the physical components assembled at each location. Essentially, his titles summarize the raw materials prepared for any given project's mechanical system. For example, the listing of materials in his title for the bitforms gallery exhibition addresses a specific set of sculptures that Zimoun presents. These twelve pieces are radically reductive in format and are making their debut in New York.

At the center of Zimoun’s practice is study of vibrational microstructures. His work explores the mechanical rhythm and flow of prepared systems. Both sonically and visually, units of pulsing activity form the basis of his compositions, whose timing and contours are determined site-specifically. Blank zones of play are constructed, and set into motion by the elements of gravity, resistance, chance and repetition. In his sculpture and installations, scale becomes a tool of amplification or visual multiplication, as he adapts each system to a particular context.

In Queens, at the Knockdown Center, Zimoun built a newly commissioned immersive environment of 250 motorized wood beams and ropes. Each unit cyclically strikes the floor, producing a sonic experience reverberating within a 10,000 square foot atrium space with 40-foot ceilings.