How did you come up with the exhibition title “Codice Italia” (“The Italian Code”)?
“Codice Italia” references the Italian genetic code. My project was born very simply – out of a need to understand whether or not there is a peculiar Italian style. The Italian pavilions have often limited themselves to offering a phenomenological overview. I would rather look at the Italian art scene and highlight its stylistic peculiarity.
What artists and from which generations will be featured?
There should be about 10-15 featured artists. I have tried to be extremely fair both geographically, bringing in artists from all over Italy, and in terms of age. It is my intention to show at least one significant work per artist, specially created for the occasion and in response to the theme. As Fabro and Merz had already realised, “Codice Italia” is founded on a very subtle mix of scandalous action and a constant return to memories - from autobiographical to historic and artistic ones. I would like identify those who have focused on this need, from Arte Povera to the present day.
You only want to exhibit new works but the deadline is fast approaching…
I have worked to tight schedules before, at the Foro Romano for example. It doesn’t throw me and the scouting phase is what I find most fascinating. I would also like to identify some very young voices, choosing five or six artists. I also want to create a separate chapter on the youngest generations at the end of the exhibition route.
Have you developed any ideas on the spatial design yet?
I and the architect Giovanni Francesco Frascino have already developed a detailed project and all parts of the exhibition design are clearly defined – from the walls to the single design details. My partnership with Frascino is a consolidated one as we worked together on the De Chirico exhibition and “Valencia 09-Confines”, both at the IVAM.
9 May – 22 November 2015
56. Esposizione Internazionale d’Arte
All the World’s Futures
Curator Biennale: Okwui Enwezor
Curator Padiglione Italia: Vincenzo Trione