Potential Monuments

The Albanian pavilion at 14. Venice Biennale presents two artists whose work reveals a new reading of the interrupted trajectories of Modern architecture in Albania.

Adrian Paci, Padiglione Albania, Biennale Architettura
Through the artistic research of Edi Hila and Adrian Paci and in line with the theme “Fundamentals - Absorbing Modernity: 1914-2014”, Potential Monuments of Unrealised Futures reveals a new reading of the interrupted trajectories of architecture in Albania.
The Pavilion explores how modernity has been absorbed through a reflection on the social and cultural dynamics inherently presented in the work of the two artists. The unrealised futures are the promises of modernity; partially realised, yet not completed. The invited artists weave real and constructed references, past and present, fiction and reality of the contemporary urban space beyond the traditional lexicon of architectural representation.
Adrian Paci, The column, Padiglione Albania
Adrian Paci, The column, Albanian Pavilion, Architecture Biennale. Photo Delfino Sisto Legnani

Focusing their gaze on buildings, on the processes of construction and on unfinished architectural elements, the artists change the traditional architectural point of view. In the potentiality created by the fragmented and not concluded plans, lie the conditions of a new spatiality based on the concept of potentiality considered as a value to be preserved.

Maintaining potentiality points towards a new direction for both political and architectural action.

With the series Penthouse, Edi Hila focuses his gaze on the unfinished architectures diffused in peri-urban contexts. The domestic architectures dispersed in the landscape are elevated onto plinths becoming imagined architectures loaded with rhetorical and monumental elements such as arches, pediments and pilasters. “Penthouse” reveals new conceptual models for transforming the traces of modernity as possible spaces for a new monumentality.

The work The Column by Adrian Paci is articulated in two elements: the projection of the video and the column resting horizontally just outside the exhibition space. The video shows the transformation of a block of marble into a Corinthian column on a factory-ship in the ocean. The column, universal architectural element, emerges from the labour of a group of workers, who, covered in dust, become an extension of the sculpture. Once completed, the column, detached from its context, is not erected but remains horizontal, in a state of im-potence, of perpetual tension and potentiality.

Adrian Paci, The Column, still from video
Adrian Paci, The Column, still from video, 2013

Through the concept of potentiality, “Potential Monuments of Unrealised Futures” suggests new strategies for inhabiting the contemporary Albanian territory. Albania has faced a phase of tumultuous urbanisation that saw the rise of migration from the countryside to the cities that began in the early 1990’s, after the collapse of the totalitarian regime. The capital, Tirana, is the paradigm of a territorial condition that is recurring in the entire country, a country that stands between a ‘developing/transitional’ and ‘developed/static’ world. The traditional architecture, adopted in order to define a national identity, the imposition of Soviet urban plans and finally, the contemporary speculative wave, have produced a chaotic ensemble in which entropy exists not only towards the countryside, as in many other areas in Europe, but mostly within the city itself.

 

Edi Hila, Penthouse, 2013. Padiglione Albania, Biennale 2014
Edi Hila, Penthouse, 2013. Padiglione Albania, Architecture Biennale 2014


Albania
Potential Monuments of Unrealised Futures

Commissioner: Ministero della Cultura della Repubblica dell’Albania
Curators: Beyond Entropy Europe
Location: Sale d’Armi, Arsenale

Until 23 November 2014
14. Biennale di Architettura
Fundamentals
Arsenale, Venice

 

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