The imaginary tribes address both the activities of rural life as of industrial production.
The relationship to the existing resources plays an important role and rituals should also be assessed anew so that they once again assume greater meaning. Thus the objects embodying the ideas of the New Tribal Labyrinth can be divided into three categories: farming, industry and ritual. The Cow of the Future (2014) marks the beginning of the exhibition – a cow that has been reduced to what is most essential: only the organs needed to produce milk remain. The four monumental sculptures of the large room – Drill, (2014), Drill Press (2014), Food Reactor (2013) and Animalistic Constructivist (2013) – all refer to industrial production.
until April 4, 2014
Atelier van Lieshout
Tempel
curated by Bettina Busse
Galerie Krinzinger
Seilerstätte 16, Wien