In the story, a thread of a spider is a symbol of slight hope and fragility. In the process of making “Venus – natural crystal chair (2008)”, a chunk of fiber was used for growing crystals. However, Spider’s thread applies the structure of natural crystals in an advanced way aiming to produce a form even closer to the natural form. Seven threads are stretched and tighten between the frame like a spider’s web, and draw a three dimensional sketch of a chair in the air.

By growing crystals on this structure made by only seven thin threads, it becomes a crystal structure that set a form of a chair. Simplifying the volume of its form as much as possible and following the natural form, a sculpture of chair will appear formed by the power of nature.

Tokujin’s Spider’s Thread was presented at his solo exhibition "Tokujin Yoshioka_Crystallize" at Museum of Contemporary Art Tokyo. In the exhibition, there were three pieces exhibited including the chairs in process to show how the only 7 extra fine threads turns into the shape of a chair.