The workshop consisted in using the gourde as a foundation basis and explore the multiple forms and objects that could derive from it. In other words, using the weavers’ skills and knowledge, she sought to develop a range that would transform these craft objects into pieces of contemporary design.
Talking about the gourde baskets, Crasset appreciated their irregularity, which she saw as a creative twist reflecting the weavers’ ability to extend or reduce their form in a flexible manner.
A number of objects use small gourds combined with an existing one in order to form a unique piece. The designer and weavers have also extended the gourd shape and made it evolve into a bag. Three forms have been experimented leading to two different hard and asymmetrical bags made up of ilala, and a soft bag made of sisal.
Other formal developments include a vase and Matopos sculptural shapes that are both decorative and functional, such as a bowl. It was also important that the weavers applied their personal touch to this common weaving language. Each woman has adopted a colored piece of wool that was integrated in the finished product.
The gourd’s family collection was made by the women of Bulawayo Home Industries within the framework of the Basket Case workshop from the Eunic programme financed by the European Committee and is therefore the second edition.
Bulawayo Home Industries is a social structure financed by the city of Bulawayo whose goal is to assist women in difficulty to find work again by learning a specific craft.
until 15 december 2014
Basket case II
curated by: Christine Eyene and Raphael Chikukwa
National gallery of Zimbabwe, Harare
29 January, 2015 – 21 March 2015
Bulawayo National gallery of Zimbabwe