Väven Cultural Centre

November 21st 2014, Väven opens to the public: the cultural center, designed by Snøhetta and White Arkitekter and visually inspired by the birch trees typical of the city of Umeå, weaves multiple cultural programs and activities together.

Väven Cultural Centre
Designed by Snøhetta and White Arkitekter, this new building weaves (hence the name Väven, meaning “weave” in Swedish) multiple cultural programs and activities together, providing one common stage.
A weave of culture, literature, knowledge, socializing, recreation, and food is expressed in the building’s facades and levels.
Väven Cultural Centre
Snøhetta and White Arkitekter, Väven, Umeå, Sweden

One part of the building lies on a site defined by the existing city grid, while the rest occupies part of the quayside – a zone characterized by transient activity and flexibility of use. The design takes its cues from the building’s intended use, as well as the characteristics of the site. Väven unifies various public functions in one complex building.

The overall experience emphasizes a whole made up by many parts, giving the building a human scale, braking down the barriers between internal activities and public space.

Snøhetta and White Arkitekter, Väven, Umeå, Sweden
Snøhetta and White Arkitekter, Väven, Umeå, Sweden
The concept of weaving is not only present in the cultural aspects, but also in the many different functions of the building; hotel, conference center, black-box theatre, museum, library, and many others – all with one large, unifying gesture. This is achieved by “wrapping” the manifold functions of the building in one homogenous facade, consisting of varying and slightly shifting facade bands forming the building envelope and creating a strong graphical reference.
At the same time, the reference of the birch trees, a tree typical for Umeå, was used in creating the concept. The white bark resembles the closed parts of the building, while the darker areas symbolize the open, glazed parts. These two concepts, as well as the wish for a building that communicates with its surroundings by reflecting the people around, the sky, and the river, led to the choice of glass as the main material for the facade.

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